Best of British Science Fiction 2016 — Anthology

Best of British Science Fiction 2016 -- AnthologyAll stories copyright 2016.

Arrested Development — Joanne Hall
Ten Love Songs to Change the World — Peter F. Hamilton
Beyond the Heliopause — Eric Brown and Keith Brooke
The Seventh Gamer — Gwyneth Jones
Dream-Hunter — Nick Wood
Shooting the Messenger — Robert Bagnall
The Lightship — Neil Davies
Ana — Liam Hogan
Liberty Bird — Jaine Fenn
Joined — Sarah L. Byrne
Heinrich Himmler in the Barcelona Hallucination Cell — Ian Watson
Taking Flight — Una McCormack
People, Places and Things — Den Patrick
Staunch — Paul Graham Raven
Between Nine and Eleven — Adam Roberts
Ajdenia — Natalia Theodoridou
To Catch a Comet — Sylvia Spruck Wrigley
How to Grow Silence from Seed — Tricia Sullivan
The Apologists — Tade Thompson
Montpellier — Ian Whates
Foreign Bodies — Neil Williamson
The 10 Second War — Michael Brookes
Possible Side Effects — Adam Connors
Front Row Seat to the End of the World — E.J. Swift

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New Worlds 1 — Anthology

New Worlds 1 -- Anthology

The Emperor’s New Reality — Pat Cadigan
Ferryman — Eric Brown
Great Western — Kim Newman
The White Stuff — Peter F. Hamilton & Graham Joyce
A Night on the Town — Noel K. Hannan
Death, Shit, Love, Transfiguration — Brian W. Aldiss
The Pact — Andrew Stephenson
Heart of Whitenesse — Howard Waldrop
A Day Without Dad — Ian Watson
Attack of the Charlie Chaplins — Garry Kilworth
For Life — Christine Manby
A Night on Bare Mountain — Graham Charnock
Londonbone — Michael Moorcock
Thirteen Views of a Cardboard City — William Gibson

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New Worlds 4 — Anthology

New Worlds 4 -- Anthology

Harringay — Graham Charnock
And the Poor Get Children — Lisa Tuttle
Legitimate Targets — Ian McDonald
Nerves of Steel — Garry Kilworth
Love in Backspace — Barrington J. Bayley
The Last Phallic Symbol — Elizabeth Sourbut
The Fleshpots of Luna — Matthew Dickens
Starlight Dreamer — Peter F. Hamilton
Free States — Michael Moorcock
The Charisma Trees — Robert Holdstock
Inside Outside — David Langford
The Final Word — Michael Moorcock

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